Ahead of the release of Metawars 3.0: Battle Of The
Immortal
I'm interviewing Jeff Norton, author of the Metawars books
Scroll down to the end of the interview is my review of
Metawars 2.0: The Dead are Rising.
Jeff has kindly donated a signed copy of
Metawars 2.0:The Dead are Rising
Leave a comment to be entered into the prize draw, tweet and repost
on FB to be entered twice more
(you know the deal.)
Giveaway closes on 1st June. Winner's name will be posted here.
Welcome to Demention, Jeff, and
thank you for agreeing to be interviewed about Metawars 2.0:The Dead are Rising
- a book I enjoyed a great deal.
Thanks for having me! I love the Demention blog, so this is a real
honour!
When I read book 1, Fight for the
Future, I felt that it relied quite heavily on the technological elements and
was worried that the technology it references would start to feel dated. In book 2, The Dead are Rising, the story
seems to breathe more and we are drawn further into the real world, and while
the technology is still present you touch much more on the characters and their
situations. Was this a conscious change
of direction, or had you always planned it that way?
The series is anchored in
technology, specifically the interface between the real and virtual worlds, but
that’s not what the books are about. For me, the entire four-book MetaWars saga
is a coming of age story for Jonah and Sam.
I want the reader to feel as though we’re growing up alongside both of
them.
In the first book, I had to set
up the rules of both worlds. But once
those rules are established and understood, I was free to focus more on the
characters and their growth and development.
Without giving too much away to
those who haven't yet read it, The Dead are Rising treads some quite sinister
paths and looks further at the issues of mortality and loss that you touched
upon in the first book. How important do
you feel it is to underpin your stories with such weighty subjects?
MetaWars is about choice. It’s
about choice and consequences, which is fundamentally about morality. I don’t shy away from weighty, serious issues
because the characters are grappling with defining their own moral code across
two very confusing worlds. In this book, I tackle everything from gang
membership to suicide and explore one recurring question: does the end justify
the means?
I want my readers to always
question and interrogate their own moral code as the books evolve.
And have you had to tone down any
of the darker aspects to suit your readership?
If anything, I’ve dialled up the
drama and with it the terrifying consequences to certain choices that the
characters make. This book, The Dead Are
Rising, is essentially the exploration of the chilling consequences to one
impulsive choice that Jonah made at the end of the first book. He chooses to save the ‘life’ of his dead
father, and the entire population of the digital dead. In doing so, he unwittingly grants the dead a
new form of consciousness. This book
investigates how far someone who knows they are dead (in this case, Jonah’s
father) will go to be alive again and how far someone who mourns for the dead
will go to keep them ‘alive.’
In terms of the audience, I think
younger readers can handle a lot more than we adults give them credit for. The
very essence of adolescence, the process of moving from childhood to adulthood,
is an incredibly dark process as your childish beliefs are (sometimes
painfully) replaced by real-world experiences.
I think young readers can relate to this experience, and older readers
can remember it viscerally – which is why I’ve always maintained that MetaWars
is for readers aged 9 to 90!
You also play very effectively
with the morality of the characters, leaving the reader to decide the merits of
each character's situation and the decisions they make. Did you find it hard to stay away from the
traditional 'authority figures = bad, rebels = good' dystopian paradigm?
It was a very deliberate choice
because I think it’s more honest. Each of us is the star of our own movie and
we look at the world through our own moral lens. Every terrorist thinks he’s a
freedom fighter. Every authoritarian figure believes he’s doing the right
thing. It’s far too easy in contemporary
dystopian literature to play into the tropes and conventions, but it’s much
more fun to upend those conventions – and much more reflective of human nature.
In The Dead are Rising, even more so than in Fight for
the Future, you look at the negative side of people relying on the Metasphere
as an escape from reality. Do you worry
that the virtual experiences we have today could have a similar negative effect
as they become more advanced?
I’m no Luddite and I love technology, but yes, I am very concerned that
as the world turns online for connection and communication that we risk
alienating ourselves from the real world.
I’ve based MetaWars on the ten 'meta trends' that I
believe are shaping our future and meta trend #10 is the what I call the 'virtual bubble'.
It’s the idea that whenever we engage with the internet, we enter a
virtual bubble – effectively leaving the real world behind. You see then
whenever someone checks their iPhone while walking down the street, they’re
suddenly not paying attention to the real world and thus susceptible to bumping
into someone, walking into the path of a bus, or having their £500 portable
computer nicked. Author William Gibson
called it ‘cyberspace’ and I do think that the more time we spend away from the
real world, the less time we spend thinking about or caring about the real
issues facing our real world.
And finally, can you tell me a little about book 3? When will it be out? And can you say anything about the fourth book?
If book 2 is about the rise of the digital dead, then book 3 is about
the war between the living and the dead. It pits Jonah against his father in a
very emotional struggle over the rights of the living and the ‘reborn’ digital
dead. It’s the most emotional book yet, and I guarantee will make you cry at
the end! MetaWars 3.0: Battle Of The
Immortal publishes 1stMay, 2013 from Orchard Books.
I’m currently writing the fourth and final book now and it’s called The
Freedom Frontier. It’s about survival
and sacrifice. I don’t want to give too much away, but when the world suddenly
changes on Jonah and Sam, they find themselves alone in a terrifying new
reality. The book explores the nature of
their relationship against the backdrop of a threat they never saw coming.
Thank you! It’s been a real pleasure to catch up.
And my review: Metawars 2.0: The Dead
are Rising follows directly on from book 1, Fight for the Future, but Norton takes
the story to a new level. Jonah
Delacroix is still embroiled in the battle for control of the Metasphere - the
virtual world that the internet has become - but his journey takes him to
emotionally dark places where he has to question both the consequences of decisions
made in the first book and the motivations of both his allies and his enemies.
As well as expanding the characters established in
Fight for the Future, The Dead are Rising draws us much further into the real
world that Norton has created and seeds planted in the first book begin to
blossom. This extremely believable world
provides a realistic, three dimensional anchor for the Metasphere that was
perhaps lacking in Fight for the Future.
I only liked Fight for the Future, but I love The
Dead are Rising and can't wait for MetaWars 3.0: Battle Of The
Immortal.
Don't forget to leave a comment for your chance to win a signed copy of Metawars 2.0: The Dead
are Rising
