Showing posts with label Sam Hawksmoor. Show all posts
Showing posts with label Sam Hawksmoor. Show all posts

Monday, 3 December 2012

Fiddlesticks and Flapdoodle - made up swear words are great! by Julienne Durber



When I decided to write this post, I was convinced that my first experience of made up swear words was in the pages of 2000AD from the grizzled lips of the mighty Judge Dredd.  But then I came up with the title 'Fiddlesticks and Flapdoodle' and realised that things went back a lot further.


Professor Yaffle

The cantankerous Professor Augustus Barclay Yaffle, carved wooden bookend in the shape of a woodpecker, foil to the gentle wisdom of Bagpuss, naysayer of mice, used to fire swearing at me from the television before I was even old enough to go to school!  Now before high horses are mounted, I have to say that in my opinion Bagpuss is the finest children's television program ever made, and I am positive that the legendary Oliver Postgate and Peter Firmin hadn't the slightest wish to offend (though I did see Mr Postgate on a documentary recently explaining what Mother Clanger was actually saving behind all of those whistles, and it wasn't entirely wholesome!)

But I'm being flippant for a reason - fiddlesticks is a term of mild disapproval dating back centuries, along the same lines as balderdash and poppycock, but when combined with the explosive flapdoodle it became something that my tiny ears loved and my tiny mouth was too nervous to use in public!
Stephen Fry

But why create swear words when there are so many already available?  Stephen Fry expounds the virtues of swearing as part of a full and rounded vocabulary.  People swear.  Children swear.  Swearing is naughty and bad ... and great fun when you're not supposed to be doing it!  And used sparingly, swearing in teen books can have a huge impact.  The inclusion of the word sh*t (see, I'm self censoring so that I don't offend and yet you all know what I'm saying) on page 4 of the wonderful Maggot Moon by Sally Gardner says a huge amount about the central character in an instant.

Judge Dredd


When creating Judge Dredd, John Wagner wanted a gritty cop for a gritty future, a future with swearing.  But as he was writing for comics in the late 1970s he had to create a vocabulary that Dredd could use without censorship.  Hence 'Stomm', Grud' and my favourite 'Drokk'.  These are great, chewable, spit-outable words, loaded with venom and brilliantly similar-but-different enough to please both publishers and readers in the 70s and 80s.


But that was then.  These days things are more relaxed.  Sam Hawksmoor's excellent The Repossession uses swearing sparingly and effectively, as do many other book too numerous to list.  It enhances tension, defines emotion and character, and isn't a block to getting published, yet I still chose to invent a whole range of frustrations and insults for Springpunk.  People are cog-heads, spring-brains and in extreme cases spring-faced cog-winders.  And if you are hit with a stray winding spark then you would cry 'Cogs!' without thinking.

Starbug
And what would Red Dwarf be without the insult smeg-head?  Still great, but ever so slightly less so.

Made-up swear words can be as integral a part of a future, dytopian and other-world society as the oppressive government forces, plasma sythesizing killer robots and overarching mystic prophesies.  They let readers into the sociology of the world and show how things have changed, how the trials, threats and drudgeries of life have bled into everyday speech.

So I challenge you, you fracking, smeg-brained, flapdoodling drokkers - have fun with your swearing.  It isn't gratuitous, but it can be vital!

All artwork copyright Julienne Durber 2012

Wednesday, 7 November 2012

The Next Big Thing by Julienne Durber



For this week's post I have been asked to take part in The Next Big Thing.  Upcoming authors are asked to answer ten questions about a work in progress and then link to others who have done the same.  So here are my ten answers and at the end are links to some of my favourite up and comings, do check them out, they are all fab ...



What is the working title of your book?
I always struggle to title my works in progress.  For ages, they are just called by the name of the main character until I bite the bullet and give them a title that sums up the spirit and hopefully raises a question.  At the moment, this story has just graduated from 'The Maxwell Story' to the extremely unsatisfying  'A Forest Full of Aliens', (partly because Maxwell has just been rewritten as a female called Redd).  There will be more changes!

Where did the idea come from for the book?
I was trying to reimagine an old idea I've had for a while about a whole world within a gearbox in a scrap yard, changing it from a fantasy epic to an ultra-violent sci-fi thriller.

What genre does your book fall under?
I'm aiming for Young Adult Science Fiction Thriller as long as I can keep the cuteness and wise-cracking at bay that tend to drag my stories towards 12+.

Which actors would you choose to play your characters in a movie rendition?
I'd love Redd to be played by Paloma Faith.  She had a small part in The Imaginarium of Doctor Parnassus which really stood out for me, and she's great at 'fabulously bonkers'.  I think she'd give a brilliant take on the concept of a heroic main character.  And to counter Paloma, the scientist character would have to be played straight and by-the-book.  Perhaps Helen Mirren.

What is the one-sentence synopsis of your book?
The Borrowers meets Platoon and then the solder hits the cooling fan.

Will your book be self-published or represented by an agency?
I'm currently working on another couple of things with my agent, but when this one gets into a shape where I'm willing to show people then hopefully it will go forward with agency representation.

How long did it take you to write the first draft of your manuscript?
This story is ongoing, but my last first draft took around six months, fitted in around my day job.

What other books would you compare this story to within your genre?
Hopefully none!  I lie awake worrying that someone will have come up with a similar idea to one of mine and that a publisher will already have it on their desk.  Authors don't write in a vacuum.  Inspiring events, films, books, newspaper stories etc are all around and it's inevitable that other creative people may take an idea in a similar direction.  And good luck to them if they have, I genuinely wish them every success with it.

Who or What inspired you to write this book?
The original gearbox concept came from a college exercise.  I was on an illustration course and the project was to combine a piece of technology with a fantasy element.  I had an overgrown mini gearbox in my garden and wondered what it would be like if tiny creatures lived in it.

What else about your book might pique the reader’s interest?
The whole thing takes place inside a computer tower (apart from the bits that don't ;)

 
The fab authors I'm tagging are:

Sam Hawksmoor - author of The Repossession and The Haunting

Caroline Green - author of Cracks and Dark Ride

Addy Farmer, who invited me to take part (and author of amongst other things the heart warming Grandad's Bench)

Sharon Jones - author of Dead Jealous and lover of poodles

Please check out their sites and responses to the Ten Big Questions.

Monday, 6 August 2012

Interview with Sam Hawksmoor, author of The Repossession and The Hunting


After careers that involved teaching, travel and photography, and working in radio drama in Africa, not to mention being a tour guide in America and Europe Sam Hawskmoor finally committed to writing for real.  The Hunting, the sequel to his debut novel The Repossession is out this week and Sam has kindly agreed to an interview, and has provided a signed copy of The Repossession for us to give away.  Details of how to enter are at the end of the interview.
Note: If you haven't read The Repossession, there are spoilers in the interview, but my (spoiler-free) review is at the end of the post along with the details of how to win a signed copy of The Repossession.

Sam Hawksmoor




The Repossession and The Hunting are both out now in all good bookshops and online.  For more details visit Sam's website.



I found The Repossession extremely gripping from page one, and I particularly the juxtaposition of the small-town community of Spurlake and the huge, sinister Fortransco organisation. What made you choose to set the story in Spurlake, and was it a challenge to weave together the elements of the small-town community with the much broader technological themes?

Spurlake is a composite taking in Hope (where the first Rambo was filmed) and other small places up the Fraser Canyon.  I have long been fascinated by these communities – many of them there following gold and silver rushes a hundred years ago or more.  The landscapes are totally inspiring and yes Fortransco is secreted in the mountains – sinister and sucking the life out of the small towns because it needs all that hydro power to make it work.  Canada is in the forefront of many new 21st technologies in bioscience and energy so it was no stretch to believe that they could exist there.  The kids are going missing and sadly this is a fact of life in these small towns.  Around 70,000 kids go missing every year in Canada (most thankfully found) but a huge percentage are not – ending up in all kinds of desperate activities in the big cities.  I know from my own nephew and nieces friends just how many aimless kids there are not cutting it, not planning ahead and looking for short cuts (all of whom also grew up in a small BC town). Quickly I might add there are some bright successful kids who are doing well but clearly there is a problem with so many kids needing to escape the family home for one reason or another.

The Repossession
In The Repossession you use some complex theories relating particularly to physics and computer science. Did you have to do a lot of research into the subject, and how much of the science is based on current scientific thinking?

Teleportation is theoretically possible.  Possibly even proven (at the micro level) but of course it is still in its infancy and requires huge computer capacity.  To introduce a note of skepticism I have Rian and Mr Yates discuss it right at the beginning of the book

“All I’m saying, Rian, is that just because someone thought of it, it doesn’t mean it will come true.  Teleportation is bunk.  Pure bunk.  No one will ever beam up Scotty.  It’s impossible.  The future never happened.  There are no aliens and we don’t commute in flying cars.  Star Trek is rubbish science.  Bunk.”

A little trick played on the reader I guess as we discover later Mr Yates has a lot to hide.  Marshall the ex Fortransco employee is there to demonstrate just how dangerous playing with matter transference is.  I felt obliged to let him tell Genie some of the ‘science stuff’ because I think it’s important for the reader to know a: how expensive all this is b: how hard it is to dematerialize someone c: what mistakes can be made.  I was speaking in a school last month and mentioned Star Trek and NONE of the kids had ever heard of it.  Put me in my place I guess.  You can’t assume kids will have seen even the new versions.  But at the root of all this was my question as a teen when I saw Star Trek – who developed this?  How did they ever get anyone to volunteer?

We have an ongoing discussion on Demention looking at how much the inclusion of scientific and technological ideas affects whether a book is marketed more at boys or girls. Did you think about this when first writing The Repossession, and did you subsequently have to remove or expand any of the more technical aspects before publication?

As explained in the previous question – my editor didn’t want too much ‘science or exposition’ in the text but I figured that some kids, girls or boys like to explore the logic of a situation.  I was intriqued with the other kids, Denis, RenĂ©e etc who are materializing in Marshall’s house. Ghosts but not dead, suspended in a digital world, maintained on thousands of servers.  All of that had be explained as succinctly as possible – and I was using the Swiss Cern Project as my model.  Chasing Higgs Bosun as just as crazy as teleportation I guess but important to lets kids know that somewhere in the world there is a real project swallowing billions of dollars on pure frontier science – just like the Fortransco project.

As well as the sci-fi elements, there is the strong emotional story between Genie and Rian, the central characters. Did you enjoy writing from both Genie and Rian's perspectives equally or did you naturally lean more towards one or the other?

Hmm, I’d say I was definitely in love with Genie’s character but Rian is the rock she clings to.  I wanted Rian to be flawed, to be more human.  It’s Genie who gets him through illness, keeps him going, but they need each other.  I had a hard tussle when Ri goes to save her near the end because I really didn’t want him to storm in, guns blazing.  There would be a temptation to do that I guess in a movie, but I knew he couldn’t.  He’s just a boy, not James Bond.  He’s going to get his heart broken as he realizes this.

Their relationship is loving, and as romantic as it can be given their circumstances, but you touch on some extremely dark themes within their families and the wider community. Though all valid elements of the story, did you ever worry that some of these themes were too dark for your readers?

No. Going back to the 70,000 kids going missing every year in Canada (it’s a million in the USA and no one even counts how many in the UK).  We have the highest number of kids being fostered in the UK right now.  Things are going wrong in families, kids are suffering, reacting to the recession, or dysfunctional parents who put themselves before their kids.  Readers can perhaps take comfort that they aren’t in this situation themselves but the darkness is out there. Genie and Rian have found each other and together they are ‘safe’ no matter what.  That’s what I was striving for.

And a technical question for all of the aspiring authors who may be reading this. Of all the current YA novels I have read, The Repossession has the most swearing (though all entirely in context) but you barely touch on any level of physical relations between Genie and Rian. Was this a conscious decision on your part or were you influenced by your publishers?

Gosh I don’t even recall any swearing (Pretty sure my editor chopped most of it out) and as for sex… she was Very particular about that not being there. Clearly they are intimate but hey, they are sick most of the time so you’ll just have to figure they do stuff off the page.  (There was a tender scene in the cave after the fire but snip snip…)

The Hunting
The Hunting, the sequel to The Repossession is in the shops now. Can you tell us anything about your future projects? Will we see more of Genie and Rian?

I have a plot for Genie and Rian in a third book. (Spoiler alert they manage to survive The Hunting but don’t come out emotionally unscathed).  I have delivered another book to Hodder – another set in Canada a harrowing post-virus novel.  We shall see what happens.

How can people keep up with your latest news, events, signings etc.?

I update my website from time to time and there’s dates when I’m at a school (Dunhurst 14th Sept) or bookshop.  I think Chichester Waterstones August 25th and Woking Waterstones on the 8th Sept.  In October I’m hoping to sit down and start something new.  That’s when I’m happiest anyway.

Sam Hawksmoor, thank you for the interview.

You are very welcome.

For more information about Sam Hawksmoor visit his website.


Julienne's review of The Repossession by Sam Hawksmoor.


Tackling the emotive subject of disappearing children and examining the extremes of current technological theory, Sam Hawksmoor's first novel, The Repossession, thrills, entertains and disturbs from page one.

It tells the story of Genie and Rian, a couple fighting to escape the small-town attitudes in the isolated community of Spurlake, Canada.  But their escape leads them to a dark, sinister secret that is intertwined with the very community they are fleeing.

In the Repossession, Hawksmoor deftly wraps a tender teen romance in a disturbing vision of the power of corporate-funded technological advances.  Gripping and thought provoking - read it and you will buy the sequel!

The Repossession and The Hunting are both out now.
For more information visit Sam Hawksmoor's website.


WIN A SIGNED COPY
of The Repossession by Sam Hawksmoor
To enter the draw just post a comment below.  Have you read The Repossession?  Do you agree with my review?  Do you want to say something about one of the subjects Sam has touched on in his answers?

For an extra entry, repost on FB or Twitter (and tell us that you have).
So one comment, a FB post and a tweet = three entries to the draw.  Bargain!

Competition closing date - August 31st.  Winner's name will be posted here Sept 3rd.  
Winner to contact us within 7 days using the contact form so that we can arrange postage

And the winner is ... MICHELLE
A huge thanks to everyone who visited and commented

keep an eye out for more giveaways in the future